The first lines of Lurhmann's film-as well as his directorial decision to insert a flash-forward montage in the beginning scene-also make it immediately apparent to the viewer that their relationship will end in suicide, violence, and death. Romeo Montague and Juliet Capulet are initially framed as "star-cross'd lovers," and "death-mark'd," in the play's opening verse. Like virtually all works that can be said to occupy the tragic genre, Romeo and Juliet wrestles with philosophical notions of fate, fortune, and determinism.
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